Ceramics: Art and Perception

Ceramics Art + Perception sets the international standard for high quality journals dedicated to ceramic art. With a total of 120 pages, each issue contains approximately 25 substantive reviews, essays and features, covering a broad range of issues related to the field. The magazine is printed in full-colour with high-res images supporting each text. Ceramics Art + Perception continues to deliver you the best critical writing from around the world since 1991.

Ceramics: Art and Perception

Making Space

In Perspective: The Mad MAD World of Jonathan Adler

Garth Clark’s Endnotes: The Romantic Brutalist

John Olsen and Me: A Collaboration

John Neely

The Gulgong Express • This article first appeared in Ceramics Art + Perception Issue 13

The ‘Fairness Cup’: A Greedy Alert from Ancient China

The Universe in a Slurry

Looking in: The Work of Susan Collett

Tracing Archetypes: Influence and Memory in Making

Graham Marks: For Joy and Grieving at HB381, New York City

Allegory and Melancholy in the Works of Ceramist EuiJeong Yoo

The maker behind the mask: Jemma Gowland

Utilitarian Clay VIII • People, Pots and the Shifting Ground Beneath Us

Sound and Form: An exploration into the perception of reality through the exhibition of sonic manifestations

How Did He Even Do That? Why Everyone Should know about Angus Suttie

In the Fires of Continuity: Ceramic Dialogues at Grafton Regional Gallery

Politics and Poetry in the Ceramics of Chris Echeta

Residency at International Ceramics Studio (ICS) Hungary

Faith, Trade and Life: Pottery Figurines from the Silk Road

Place to Rest: A Search for Stability in the World of Chao You Chu

Technical

Drinking Light

Q&A: Fast Firing • Q: Can I save fuel by firing faster?

Q&A: Salt Firing Substitutes • Q: Can I substitute sodium bicarbonate for sodium carbonate in my soda firing kiln?