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In the Night Garden

In the Night Garden

#1 in series

ebook
1 of 1 copy available
1 of 1 copy available
A Book of Wonders for Grown-Up Readers
Every once in a great while a book comes along that reminds us of the magic spell that stories can cast over us–to dazzle, entertain, and enlighten. Welcome to the Arabian Nights for our time–a lush and fantastical epic guaranteed to spirit you away from the very first page . . .
Secreted away in a garden, a lonely girl spins stories to warm a curious prince: peculiar feats and unspeakable fates that loop through each other and back again to meet in the tapestry of her voice. Inked on her eyelids, each twisting, tattooed tale is a piece in the puzzle of the girl’s own hidden history. And what tales she tells! Tales of shape-shifting witches and wild horsewomen, heron kings and beast princesses, snake gods, dog monks, and living stars–each story more strange and fantastic than the one that came before. From ill-tempered “mermaid” to fastidious Beast, nothing is ever quite what it seems in these ever-shifting tales–even, and especially, their teller. Adorned with illustrations by the legendary Michael Kaluta, Valente’s enchanting lyrical fantasy offers a breathtaking reinvention of the untold myths and dark fairy tales that shape our dreams. And just when you think you’ve come to the end, you realize the adventure has only begun….
Praise for In the Night Garden
“Cathrynne Valente weaves layer upon layer of marvels in her debut novel. In the Night Garden is a treat for all who love puzzle stories and the mystical language of talespinners.”—Carol Berg, author of Daughter of Ancients
“Fabulous talespinning in the tradition of story cycles such as The Arabian Nights. Lyrical, wildly imaginative and slyly humorous, Valente's prose possesses an irrepressible spirit.”—K. J. Bishop, author of The Etched City
“Astonishing work! Valente’s endless invention and mythic range are breathtaking. It’s as if she’s gone night-wandering, and plucked a hundred distant cultures out of the air to deliver their stories to us.”—Ellen Kushner, author of Thomas the Rhymer
“Refreshingly original in both style and form, In the Night Garden should delight lovers of myth and folklore.”—Juliet Marillier, author of the Sevenwaters trilogy
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    • Publisher's Weekly

      August 20, 2007
      The second and concluding volume of Tiptree Award–winner Valente's Orphan's Tales (after 2006's In the Night Garden
      ), structured as a series of nested stories, is a fairy tale lover's wildest dream come true. A mysterious orphan girl, whose eyelids are darkly tattooed with the closely packed words from a seemingly endless number of fantastical tales, lives secretly in a palace garden. The girl shares her stories with the enthralled young heir to the Sultanate, who returns again and again to hear incredible yarns about one-armed heroes, hunchbacked ferrymen, giants, voracious gem eaters, conniving hedgehogs, harpies, djinns and singing Manticores. But with the wedding of the prince's sister Dinarzad (a not-so-subtle homage to The Arabian Nights
      ) quickly approaching and harsh reality encroaching on the surreal garden, the orphan girl's stories finally run out. Cleverly examining and reconstructing the conventions of the fairy tale, especially the traditional roles of men and women, Valente has created a thought-provoking storytelling tour de force.

    • Publisher's Weekly

      October 30, 2006
      A lonely girl with a dark tattoo across her eyelids made up of words spelling out countless tales unfolds a fabulous, recursive Arabian Nights-style narrative of stories within stories in this first of a new fantasy series from Valente (The Grass-Cutting Sword). The fantastic tales involve creation myths, shape-changing creatures, true love sought and thwarted, theorems of princely behavior, patricide, sea monsters, kindness and cruelty. As a sainted priestess explains, stories "are like prayers. It does not matter when you begin, or when you end, only that you bend a knee and say the words," and this volume does not so much arrive at a conclusion but stops abruptly, leaving room for endless sequels. Each descriptive phrase and story blossoms into another, creating a lush, hallucinogenic effect.

    • Library Journal

      Starred review from November 15, 2006
      A young girl lives in the palace garden, an outcast because of the strange inky tattoos around her eyes. These markings hold entire stories of enchanted beasts, magical horses, wizards, and other magnificent and mysterious beings, part of an intricately woven tapestry of tales that make up the history of the exiled girl. When a young prince convinces the girl to tell him one of her stories, he begins a journey that will bring him a little closer to a great mystery. Valente's lyrical prose and masterful storytelling brings to life a fabulous world, solidifies Valente's ("Yume No Hun; The Labryinth") place at the forefront of imaginative storytelling, and belongs in libraries of all sizes.

      Copyright 2006 Library Journal, LLC Used with permission.

    • Booklist

      Starred review from October 15, 2006
      The opening volume of the Orphan's Tales begins in a palace garden, where a girl has been abandoned because of the strange, ink-black stain around her eyes and over her eyelids. Because the sultan and his nobles wish to avoid the problem she presents, she is left to wander the gardens, alone until another child, a boy, comes and speaks to her. She reveals the secret of her ink-stained eyes, that they contain many tales. In return for the boy's company, she tells him stories, beginning with the tale of the prince Leander. Each succeeding story grows from the one before it, characters recounting tales they were told and even weaving them back together. There is an entire mythology in this book, in which the themes of familiar fairy tales are picked apart and rearranged into a new and wonderful whole. The narrative is a nested, many-faceted thing, ever circling back to the girl in the palace garden and the prince she is telling the tales to in a wonderful interpretation of what fairy tales ought to be. The illustrations, by Michael Kaluta, constitute an excellent supplement, reminiscent of illustrations of such fairy-tale books as Andrew Lang's, though Kaluta does no toning down for Victorian sensibilities.(Reprinted with permission of Booklist, copyright 2006, American Library Association.)

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